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Goin To Meetin - Eddie ;Lockjaw; Davis - Goin To Meetin (Vinyl)

9 Reply to “ Goin To Meetin - Eddie ;Lockjaw; Davis - Goin To Meetin (Vinyl) ”

  1. Kagam says:
    A mixed bag. The CD collects two earlier LPs recorded for Prestige/Moodsville; the Moodsville date (4/12/60) has Shirley Scott on organ, the Prestige date (5/1/62) Horace Parlan on piano.4/5(1).
  2. Vigami says:
    Jazz album: “Goin' to the Meetin'” by Eddie "Lockjaw" Davis, released in on. Explore the largest collection of jazz recordings @ All About Jazz.
  3. Daisho says:
    Goin' to the Meeting is an album by saxophonist Eddie "Lockjaw" Davis recorded in for the Prestige label.
  4. Grot says:
    Exact Audio Copy V beta 1 from November EAC extraction logfile from January , Eddie Lockjaw Davis / Goin' To The Meetin'.
  5. Maran says:
    Eddie "Lockjaw" Davis (Prestige: Goin' to the Meetin' album review by Derek Taylor, published on July 1, Find thousands jazz reviews at All About Jazz!
  6. Fejora says:
    Find helpful customer reviews and review ratings for Goin' to the Meetin' at funbereterhirombbalyfistcomerpi.coinfo Read honest and unbiased product by Eddie "Lockjaw" Davis. taken up-tempo, is the highlight on this date. So we have a so-so album paired with a great one. In my opinion, Lockjaw gives enough pleasure on this CD to make it still worth checking out.
  7. Kazigis says:
    Goin’ To The Meetin’ Eddie “Lockjaw” Davis. Buy or Listen Toggle Dropdown Amazon Apple Music; Eddie "Lockjaw" Davis may not have been the fastest, flashiest, or most far-out tenor saxophonist of his time, but when it came to swinging relentlessly, playing the blues with conviction, or rendering ballads with caressing tenderness he took.
  8. Dataur says:
    CDs & Vinyl Go Search Goin' to the Meetin' by Prestige Eddie "Lockjaw" Davis Format: Audio CD. out of 5 stars 1 rating. See all 4 formats and editions Hide other formats and editions. Price New from Amazon's Eddie "Lockjaw" Davis Store 4/5(1).
  9. Kazrakazahn says:
    Jazz saxophonist Eddie “Lockjaw” Davis (), whose nickname referred to his clamping down on his sax as he played, was one of the era’s main figures linking the big band era w/the soul jazz emerging in /5(7).

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